https://www.stagingdecadence.com/print-events daily 0.75 2026-02-26 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/44299304-d8fb-4f04-b09e-7e97d771da1d/P1387981.jpg Events https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/7877f562-529b-41b7-b218-f0137a650b9e/Codpiece+workshop+image.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3f0570e9-bb88-4392-86c2-f5bcc03746e7/Picture2.png Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/ffdfb20b-68d9-4d7c-8667-e038911b67e9/V+and+A+merged+images.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/a0ac307b-d72a-40ff-8983-4d3775e120e7/V+and+A+Goldsmiths.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/8cbd5d96-80ba-4639-b139-d8d4a814fd03/decadent_legacy.png Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/48d8d4f3-7b52-4ca8-968b-c8c74066ac3a/Picture1.png Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/88eaec0c-7a14-45dd-af6d-f90c270980df/decadence+eventbrite+ahrc.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/9c37b1df-af26-466e-a7c8-af66cc49635c/nando+goldsmts+poster+5.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1ad5052e-9391-431d-acd8-7f31c5bba2ee/club+night+flyer+CROPPED.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/553e2c1c-174b-4d23-86af-0c9722f360cc/Updated%2BStaging%2BDecadence%2B%28banner%29.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/894fa94d-85ce-496d-a4a1-1bb0eb5336e3/Promo+image+2.png Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/0a9c5764-1472-4e18-82ad-762092cb5ab7/Picture1.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/5a21c002-bc4d-486a-8bba-e80f9c8d2cbe/nando+goldsmts+poster+5.jpg Events - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.stagingdecadence.com/blog daily 0.75 2026-01-19 https://www.stagingdecadence.com/blog/making-michael-field monthly 0.5 2026-02-02 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/47f12f1b-04d3-446c-b3a2-554ff69f12ce/Fig+1.jpg Blog - Making Michael Field - Make it stand out Fig. 1: Clifton Bromhead, Michael Field (Katherine Bradley 1848-1914 and Edith Cooper 1862-1913). Photograph. Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press, 1884-89. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/581c03b5-012e-44f6-9957-1224783da1d3/Fig+2.jpg Blog - Making Michael Field - Make it stand out Fig. 2: Michael Field double sided embroidery. Image by and courtesy of Gareth Brookes. © Gareth Brookes (2026). https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/8893e18b-ca9f-40f1-b056-f0b851eb042b/Fig+3.jpg Blog - Making Michael Field - Make it stand out Fig. 3: Michael Field badges. Image by and courtesy of Gareth Brookes. © Gareth Brookes (2026). https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/003c14ff-e407-4d65-85de-1da352851d65/Fig+4.jpg Blog - Making Michael Field - Make it stand out Fig. 4: Gareth Brookes, page from Written Over For the Far Time to Discover (2025). Aca-zine. 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Courtesy of Serpentine Galleries Press. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/7df239cc-f398-40eb-8cd5-0dce934c31cc/13.jpg Blog - Decadent art and the end(s) of progress: Danielle Brathwaite-Shirley, Lolly Adams, and Wangechi Mutu - Make it stand out Fig. 3: Lolly Adams, Act One (2025). Royal Academy, London. © Lolly Adams. Photography: Andy Keate. Courtesy of the artist. https://www.stagingdecadence.com/blog/fiume monthly 0.5 2025-11-04 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/7fc6a053-ad3e-4982-965c-c1bb6c2ab5ba/Picture1.png Blog - D’Annunzio in Fiume - Make it stand out Fig. 1: Gabriele D’Annunzio with legionaries in Fiume, 1919. Photographer unknown. Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/85a17912-746c-44ad-8a60-a0579bf2b6d3/Picture2.jpg Blog - D’Annunzio in Fiume - Make it stand out Fig. 2: Gabriele D’Annunzio reading, 1908. Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/608328db-7976-4245-98ba-0f0ab81a9380/Picture3.jpg Blog - D’Annunzio in Fiume - Make it stand out Fig. 3: Gabriele D'Annunzio in Fiume, 30 May 1920. Photographer unknown. Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/e2198698-1385-4ef2-855b-ce245e04a0c3/Picture4.png Blog - D’Annunzio in Fiume - Make it stand out Fig. 4: A group of arditi, Fiume, 2 October 1919. Photographer unknown. Public domain. https://www.stagingdecadence.com/blog/decadent-monsters monthly 0.5 2025-07-28 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1d6e2f77-6604-41fa-bdb0-3bb103aa9138/Jane.jpg Blog - Decadent Monsters - Make it stand out Fig. 1: Raqib Shaw, Jane (2006). Enamel, glitter, plastic beads and graphite on paper. Tate, London. 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Photo: Jennifer Forward-Hayter. https://www.stagingdecadence.com/blog/theo-trotter monthly 0.5 2025-04-29 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/cc64b341-5495-447b-808f-a62769ac9201/The+Trotter%2C+Cocoon+latex%2C+textiles%2C+polyfill%2C+lace%2C+gauze+bandage%2C+pins%2C+2022.jpg Blog - Theo Trotter: Interview for Staging Decadence - Make it stand out Fig. 1: Theo Trotter, Cocoon (2022). Latex, textiles, polyfill, lace, gauze bandage, pins. Photo by Lauren Bradshaw. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/460f1211-9640-44f5-bef4-cd85217fb7f9/THEOTR%7E3.JPG Blog - Theo Trotter: Interview for Staging Decadence - Make it stand out Fig. 2: Theo Trotter, Larval, detail (2023). Latex, pink glitter glue, bandages, textiles, children’s tights, stuffed animal, plastic beads, pins, poly-fil, lace. 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Pauline Johnson on the Stage - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/92d81ef1-706c-4428-bcc1-c4676e133714/Picture2.jpg Blog - Performing Authenticity in the Fin de Siècle: E. Pauline Johnson on the Stage - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/4c78ba2c-6dcc-4f64-9d77-c9a23e2f4c71/Picture3.jpg Blog - Performing Authenticity in the Fin de Siècle: E. Pauline Johnson on the Stage - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.stagingdecadence.com/blog/projected-fairy-tales monthly 0.5 2024-10-02 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/840a3c20-37f0-4046-b496-369194ee3b10/G+31+%282%29.JPG Blog - Projected Fairy Tales: The Life of Ludwig II as Revealed on Film in the Age of Mechanical Reproduction - Make it stand out Fig. 1: Neuschwanstein undergoing restoration. Photo by Ken Hollings (@lahollings). https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/0c30c6a3-f9c2-430a-9595-a57f1588a891/F+7.JPG Blog - Projected Fairy Tales: The Life of Ludwig II as Revealed on Film in the Age of Mechanical Reproduction - Make it stand out Fig. 2: Neuschwanstein courtyard. 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Photo by Ken Hollings (@lahollings). https://www.stagingdecadence.com/blog/e-m-parry monthly 0.5 2024-08-28 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/f468ba93-0eae-4d8d-9ba4-631b0e530910/DSC01143.jpg Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 1: E.M. Parry, Pricklings, pre-set at Staging Decadence, V&A, London, April 2024. Photo by Sofia Natoli. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/96992b9b-23ab-4f14-8785-d54e6a49aade/pieta_reduced.jpg Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 2: E.M. Parry, Pieta, 2023. Photo by E.M. Parry, with camera assistance from Adrían Coto. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/b962b10c-b8d1-4c7f-9315-88aa83f32b5d/Photo+by+Keziah+Hodgson%2C+taken+at+Dialogue%2C+2023.png Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 3: E.M. Parry, Pricklings, Dialogue, London, 2023. Photo by Keziah Hodgson. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/fffec385-b61f-4940-91f8-31ddac8696c6/Fag+Ends+2.png Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 4: Fag Ends, 2020. Photo by E.M. Parry. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/6d6ef2a5-f8c8-4f65-88c5-79d4f83bd7ef/Fag+Ends+1.png Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 5: Fag Ends, 2020. Photo by E.M. Parry. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/a68cb572-ef11-40b9-8963-c8a821ad985b/Photo+by+David+Copeland%2C+Fix+23+Live+Art+Festival%2C+Catalyst+Arts%2C+Belfast%2C+2023.png Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 6: E.M. Parry, Pricklings, Fix 23 Live Art Festival, Catalyst Arts, Belfast, 2023. Photo by David Copeland. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/e2ba2e79-6413-432b-9f9a-104672970d4e/Gloria-2+copy_customsize.jpg Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 7: E.M. Parry, Gloria, 2024. Photo by E.M. Parry, with camera assistance from Adrían Coto. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/37d30fa0-a753-4f89-84d8-0c4eff07ed8f/Photo+by+David+Copeland%2C+Fix+23+Live+Art+Festival%2C+Catalyst+Arts%2C+Belfast%2C+2023+-+third+photo.png Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 8: E.M. Parry, Pricklings, Fix 23 Live Art Festival, Catalyst Arts, Belfast, 2023. Photo by David Copeland. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/783476af-238d-45ff-803e-930fcb4a59ae/Photo+by+Vik+Winter%2C+Dialogue%2C+2023.png Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 9: E.M. Parry, Pricklings, Dialogue, London, 2023. Photo by Vik Winter. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/d0cbabe6-35be-4611-8559-8eeedc86e7d5/DSC01139.jpg Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 10: E.M. Parry, Pricklings, pre-set at Staging Decadence, V&A, London, April 2024. Photo by Sofia Natoli. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/bfa03337-a4d5-491a-84c6-6c09e834046f/20240426_184740+%281%29.jpg Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 11: E.M. Parry, Pricklings, pre-set at Staging Decadence, V&A, London, April 2024. Projection by Angel Rose Denman. Photo by Adam Alston. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1bbc40e0-22c7-44cb-a58c-142baabb847b/DSC01159.jpg Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 12: E.M. Parry, Pricklings, pre-set at Staging Decadence, V&A, London, April 2024. Projection by Angel Rose Denman. Photo by Sofia Natoli. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/d2781aa0-0683-453a-a167-2d47e8f2f453/Photo+by+Linnaea+Marten%2C+Fierce+Queens%2C+Queens+House%2C+Royal+National+Maritime%2C+Museum%2C+2024.png Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 13: E.M. Parry, Pricklings, Fierce Queens, Queens House, Royal National Maritime, Museum, 2024. Photo by Linnaea Marten. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/ad5664a0-b021-4780-b5a0-fc75690a959e/Photo+by+Damien+Frost%2C+taken+at+Riposte%2C+2023.png Blog - E.M. Parry: Interview for Staging Decadence - Make it stand out Fig. 14: E.M. Parry, Pricklings, Riposte, London, 2023. Photo by Damien Frost. https://www.stagingdecadence.com/blog/jake-elwes-interview-for-staging-decadence monthly 0.5 2024-06-13 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3d15e83c-9633-47af-8e76-ec319c8fd3bb/The+Zizi+Show+2020%2C+montage+of+deepfake+drag+artists%2C+c_o+the+artist+High+Res.jpg Blog - Jake Elwes – Interview for Staging Decadence - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/e88e5195-f615-4d04-a2d2-8ec8a73c0867/The+Zizi+Show+2020%2C+montage+of+a+deepfake+generation+on+Me+the+Drag+Queen%2C+c_o+the+artist.jpg Blog - Jake Elwes – Interview for Staging Decadence - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1b306eda-a5bd-4242-8af1-6f778581deeb/Zizi+in+Motion+2023%2C+still+of+deepfake+drag+artist+in+close+up+resembling+Sister+Sister+and+Bourgeoisie%2C+c_o+the+artist.jpg Blog - Jake Elwes – Interview for Staging Decadence - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/8347f8b3-2ea4-485c-9b68-066a3db81146/Zizi+in+Motion+2023%2C+still+of+deepfake+drag+artist+in+close+up+2%2C+c_o+the+artist.jpg Blog - Jake Elwes – Interview for Staging Decadence - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/c09d696c-1b39-485c-b372-367b453a569f/Zizi+in+Motion+2023%2C+still+of+deepfake+drag+artist+resembling+Oedipussi+Rex%2C+c_o+the+artist+2.jpg Blog - Jake Elwes – Interview for Staging Decadence - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/6e6ab31a-ded6-4050-9049-2d5a544d8693/Zizi+%26+Me+-+live+perfomance+at+Zabludowicz+-+c_o+Jake+Elwes+%26+Me+The+Drag+Queen.jpg Blog - Jake Elwes – Interview for Staging Decadence - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/a4f5d636-5d50-4e0b-b35c-c297d6115a1f/Zizi+%26+Me+-+live+perfomance+at+Zabludowicz+-+c_o+Jake+Elwes+%26+Me+The+Drag+Queen.jpeg Blog - Jake Elwes – Interview for Staging Decadence - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/e0cc5d60-48dc-4d12-a12c-de8b68e05459/UK+AI+19_03_24%2C+QEII+Conference+Centre%2C+c_o+the+artist.jpeg Blog - Jake Elwes – Interview for Staging Decadence - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.stagingdecadence.com/blog/live-and-late-at-the-v-and-a monthly 0.5 2024-05-01 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/29f8bf11-5fbe-4b19-a445-69ee7aa5d282/decadent_legacy.png Blog - Decadent Costume: Live and Late at the V&A (programme) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/ade53aa6-9543-4820-8800-0a3c3d76c372/Sadie+Sinner+2023+-+VsanchorStudio.jpg Blog - Decadent Costume: Live and Late at the V&A (programme) - Make it stand out Fig. 2: Sadie Sinner, our MC for the evening. 2023. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/ee286e92-a10e-4e47-8729-8948f83b4764/Pricklings+-+Image+Credit+Damien+Frost+for+Riposte+%40nightflowersbook.jpeg Blog - Decadent Costume: Live and Late at the V&A (programme) - Make it stand out Fig. 3: E. M. Parry, who presents their interactive durational work Pricklings. Photo by Damien Frost. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/4e215ae2-205a-4da9-9a9a-2eac615739b2/angel.png Blog - Decadent Costume: Live and Late at the V&A (programme) - Make it stand out Fig. 5: Angel Rose Denman, still from The Rose (2014). https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/a32478d5-087a-4117-812d-3b733c0c4d6e/jaamil-olawale-kosokos-career-presents-a-syllabus-.jpg Blog - Decadent Costume: Live and Late at the V&A (programme) - Make it stand out Fig. 6: jaamil olawale kosoko, still from The Entertainer (2022). https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/42ab72f7-64ca-4a66-8e9d-a61a611e036c/HasardLeSin_S%C3%A4dePuusa005.jpg Blog - Decadent Costume: Live and Late at the V&A (programme) - Make it stand out Fig. 7: Hasard Le Sin. Photo by Säde Puusa. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/c7bc6966-7633-4253-9367-f6d1b733867b/Lilly%2C+Captured_By_Corinne-SpaceGrrr.jpg Blog - Decadent Costume: Live and Late at the V&A (programme) - Make it stand out Fig. 9: Lilly Snatchdragon. Photo: Captured By Corinne. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3cda7747-6011-4527-a1cd-1a7f30d0459b/Merged+logos.png Blog - Decadent Costume: Live and Late at the V&A (programme) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.stagingdecadence.com/blog/veritable-michael monthly 0.5 2024-04-04 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/4ce3a095-0e7d-4476-9a3f-04bcf936fa09/Figure+01.jpg Blog - Veritable Michael: a new opera - Make it stand out Fig. 1: Banner image for Veritable Michael - a podcast opera. Design by Tom Floyd and James Long. © Shadow Opera 202. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/ab15c7c3-56b3-4b5d-9c1a-75c3654b809e/Figure+03.png Blog - Veritable Michael: a new opera - Make it stand out Fig. 2: Screenshot for promotion video clip for Veritable Michael - A podcast opera. Design by Tom Floyd. © Shadow Opera 2021. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/e446a800-57dd-4709-accf-ad57ee53f140/Figure+05.jpeg Blog - Veritable Michael: a new opera - Make it stand out Fig. 3: Katherine Bradley diary excerpt. New Year’s Eve 1892. Accessed via https://michaelfielddiary.dartmouth.edu/page-view/5/332 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1d28b1af-b265-41f6-85eb-2b056dec0a42/Figure+04.jpeg Blog - Veritable Michael: a new opera - Make it stand out Fig. 4: Edith Cooper diary excerpt New Year’s Eve 1892. Accessed via https://michaelfielddiary.dartmouth.edu/page-view/5/333 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/a43e2275-3a56-407a-8d8f-fbe495bc731c/Figure+06.JPG Blog - Veritable Michael: a new opera - Make it stand out Fig. 5: Lizzie Holmes (left) as Edith Cooper and Sophie Goldrick as Katherine Bradley in Veritable Michael, The Brunel Museum, 13th August 2022. Photograph by Ruth Knight. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/10e91442-924c-4540-93f7-d5b0b0b5a404/Figure+07.JPG Blog - Veritable Michael: a new opera - Make it stand out Fig. 6: Sophie Goldrick as Katherine Bradley and Patrick Neyman as Michael Field in Veritable Michael, The Brunel Museum, 13th August 2022. Photograph by Ruth Knight. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/9c8c3a5a-e078-4229-a2fb-155d63d61aa9/Figure+08.JPG Blog - Veritable Michael: a new opera - Make it stand out Fig. 7: Lizzie Holmes as Edith Cooper (left) and Sophie Goldrick as Katherine Bradley in Veritable Michael, The Brunel Museum, 13th August 2022. Photograph by Ruth Knight. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/5d2dfad3-7c27-4fbb-9b28-35c78085680d/Figure+09.JPG Blog - Veritable Michael: a new opera - Make it stand out Fig. 8 : Sophie Goldrick as Katherine Bradley in Veritable Michael, The Brunel Museum, 13th August 2022. Photograph by Ruth Knight. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/e2043230-6978-48da-9ae4-69db36f4b75c/Picture9.jpg Blog - Veritable Michael: a new opera - Make it stand out Fig. 9: Patrick Neyman as Michael Field in Veritable Michael, The Brunel Museum, 13th August 2022. Photograph by Ruth Knight. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/b064201d-2655-4487-b332-de6947685f46/Figure+12.JPG Blog - Veritable Michael: a new opera - Make it stand out Fig. 10: Lizzie Holmes as Edith Cooper (left) Sophie Goldrick as Katherine Bradley and Patrick Neyman as Michael Field in Veritable Michael, The Brunel Museum, 13th August 2022. Photograph by Ruth Knight. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/e963b3e4-63a6-4053-b1b9-b9e8206ba6f9/Figure+13.JPG Blog - Veritable Michael: a new opera - Make it stand out Fig. 11: Lizzie Holmes as Edith Cooper (left) and Sophie Goldrick as Katherine Bradley in Veritable Michael, The Brunel Museum, 13th August 2022. Photograph by Ruth Knight. https://www.stagingdecadence.com/blog/hula monthly 0.5 2024-03-06 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/18d99c55-fdf2-431f-b722-4a54679ba7ea/Fig.+1+Kalakaua.jpg Blog - Hula, Nationalist Spectacle, and the Politics of Bacchanalia - Make it stand out Fig. 1: David Kalākaua (1836-1891) before his accession, circa 1874, Bernice Pauahi Bishop Museum https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/2ef7f737-a3b2-4877-9cdf-0fec6696ad51/Fig.+2+Kalakaua+in+uniform.jpg Blog - Hula, Nationalist Spectacle, and the Politics of Bacchanalia - Make it stand out Fig. 2: Kalākaua circa 1875, National Portrait Gallery, Smithsonian Institution, NPG.79.144. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/d9c6af13-73c8-4705-b7a6-4f8ea1ad93c3/Fig.+3+Coronation+pavilion.jpeg Blog - Hula, Nationalist Spectacle, and the Politics of Bacchanalia - Make it stand out Fig. 3: Coronation of King Kalākaua and Queen Kapiʻolani, February 12, 1883, Hawaiʻi State Archives, Photograph Collection, PP-36-4-001. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3f7f8d1e-671d-45a0-bab2-00f3b56b8436/Fig.+4+Stewart+title+page.jpg Blog - Hula, Nationalist Spectacle, and the Politics of Bacchanalia - Make it stand out Fig. 4: George W. Stewart, title page to ‘The Crowning of the Dread King’ (1883),Digital Archives of Hawaiʻi. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/5c36e715-850b-4a86-8e9a-51bd43ec2a70/Fig.+5+1886+jubilee.jpeg Blog - Hula, Nationalist Spectacle, and the Politics of Bacchanalia - Make it stand out Fig. 5: Eduard Arning, Kalākaua’s birthday, 1885, Hawaiʻi State Archives, Photograph Collection, PP-32-9b-005. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/f0fd88f0-aea0-4a4c-9ce8-42ef84bdf58e/Fig.+7+Ukeke+with+dancers.jpg Blog - Hula, Nationalist Spectacle, and the Politics of Bacchanalia - Make it stand out Fig. 6: A. A. Montano, ʻIoane ʻŪkēkē with two of his hula dancers, circa 1890s, Hawaiʻi State Archives, Photograph Collection, PNLPC-2-07561. https://www.stagingdecadence.com/blog/leigh-bowery monthly 0.5 2024-02-05 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/74ca984a-b5ba-4083-93b1-9a326a43e89f/image+1.jpg Blog - Leigh Bowery: Glitter, Shit, and the Performance of Decadence - Make it stand out Fig. 1: Leigh Bowery, 1988. Photo by Werner Pawlok. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/d8f7cb65-5802-4178-af0a-90e7388039e4/Image+2.jpg Blog - Leigh Bowery: Glitter, Shit, and the Performance of Decadence - Make it stand out Fig. 2: Leigh Bowery and Trojan in their flat in Farrell House, 1984. Photo by Steve Pyke. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/43c22227-870d-43ff-a746-c2d7f68daf4e/image+3.jpg Blog - Leigh Bowery: Glitter, Shit, and the Performance of Decadence - Make it stand out Fig. 3: Flyer (front and back) for a performance of Leigh Bowery with Minty at Torture Garden, 1994. Courtesy of the Leigh Bowery Estate. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/b4b7aab2-2172-40af-a84b-d20cd81262c3/image+4.jpg Blog - Leigh Bowery: Glitter, Shit, and the Performance of Decadence - Make it stand out Fig. 4: Trojan, Nicola Bateman, and Leigh Bowery at Taboo, 1985. Photo by Dave Swindells. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/9c6bde50-4e82-42f1-ac1f-e6d70f723469/image+5.jpg Blog - Leigh Bowery: Glitter, Shit, and the Performance of Decadence - Make it stand out Fig. 5: Leigh Bowery performing at the Heart’s in the Right Place AIDS benefit at Fridge, 1990. Photo by Gordon Rainsford. Courtesy of the Bishopsgate Institute. https://www.stagingdecadence.com/blog/times-squares-theatre-of-sex monthly 0.5 2024-01-16 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3627a53e-1870-42bc-b74b-ffd2dbfef4ff/Abe-Beame-for-Drop-Dead-City-400x501.jpeg Blog - Times Square’s Theatre of Sex - Make it stand out Fig. 1: New York Mayor Abe Beame holds up a notorious Daily News front page from 30 October 1975, which purports to represent the words of President Gerald Ford after he refused to bail out a city on the verge of bankruptcy. Photograph: New York Daily News Archive. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3a6e22ac-a020-4e9f-8bf6-8d3f0a8619c7/burleskpeacemarch.jpg Blog - Times Square’s Theatre of Sex - Make it stand out Fig. 2: A peace march in Times Square in April 1972. The Follies Burlesk, pictured here, later became the Gaiety Male Burlesk in 1976. Photo by Bob Gruen. Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/5e03b9ba-97ff-4b9c-a4ce-3a81343ade15/19452.jpg Blog - Times Square’s Theatre of Sex - Make it stand out Fig. 3: Cover of Screw: The Sex Review, no. 15, 30 May 1969. Edited by Al Goldstein. Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/9d6f016d-b7ca-4946-a26c-26f4c1684d6b/Honeysuckle+Divine+%26+Busty+Russell+1979+D.D.Teoli+Jr.+A.C.+%281%29.jpg Blog - Times Square’s Theatre of Sex - Make it stand out Fig. 4: Honeysuckle Divine & Busty Russell in 1979. The Daniel D. Teoli Jr. Archive. Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/4f381729-c4ac-44bc-b2ff-570eb276d30b/Plasmatics_1979%2C_promo_shot.jpg Blog - Times Square’s Theatre of Sex - Make it stand out Fig. 5: Wendy O. Williams and the bass player Chosei Funahara in a promo shot for the Plasmatics. 16 July 1979. Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/9c4c308d-7622-4003-b791-2c3c7d76969b/Madonna_-_Celebration_Tour_Barcelona_11-01_050.jpg Blog - Times Square’s Theatre of Sex - Make it stand out Fig. 6: A photo of John Sex screened at Madonna's Celebration Tour on 1 November 2023. Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/5fad62a1-c28b-45a3-af4a-096bb2be0edc/NYC-Oh_Calcutta-1981.jpg Blog - Times Square’s Theatre of Sex - Make it stand out Fig. 7: Billboard for Oh! Calcutta! in Times Square,1981. Public domain. https://www.stagingdecadence.com/blog/rose-wood-and-phoebe-patey-ferguson monthly 0.5 2023-06-30 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/be364ea5-9e28-4888-b488-0412cb27c67b/IMG_4235.jpg Blog - Rose Cory (Rose Wood) - in conversation with Phoebe Patey-Ferguson - Make it stand out Fig. 1: Rose Wood, New York City, 2017. Photo by Eva Mueller. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/79187c27-8dce-4295-b656-17b0482844ac/61b32fc6-1cfd-427b-bc8d-6ff4a418fd35.jpg Blog - Rose Cory (Rose Wood) - in conversation with Phoebe Patey-Ferguson - Make it stand out Fig. 2: Rose Wood, Box Soho, London, 2022. Photo by Bryn Harris Wathen. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3079bf96-2a48-4f6b-a63a-359e2f8ab940/F-0IKM%7E1.JPG Blog - Rose Cory (Rose Wood) - in conversation with Phoebe Patey-Ferguson - Make it stand out Fig. 3: Rose Wood in her New York City workshop, 2015. Photo by Christel Mitchell. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/0a90ee5c-6663-486d-af3f-d7097768fd8e/B008592-R1-34-35.jpeg Blog - Rose Cory (Rose Wood) - in conversation with Phoebe Patey-Ferguson - Make it stand out Fig. 4: Rose Wood, Box Soho, London, 2019. Photo by Max Weber. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/86465c65-80f2-4141-92f6-f6a7fb7d4a41/-6.jpg Blog - Rose Cory (Rose Wood) - in conversation with Phoebe Patey-Ferguson - Make it stand out Fig. 5: Rose Wood, Box Soho, London, 2022. Photo by Rose Wood. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3cf488b4-4801-4213-b5e3-fb8ef468bb42/0-18.jpg Blog - Rose Cory (Rose Wood) - in conversation with Phoebe Patey-Ferguson - Make it stand out Fig. 6: Rose Wood, New York City, 2019. Photo by Eli Schmidt. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1d72bec4-09b5-4444-8fa9-e6f74ad9586d/20090522_0337.jpg Blog - Rose Cory (Rose Wood) - in conversation with Phoebe Patey-Ferguson - Make it stand out Fig. 7: Rose Wood, Box NYC, New York, 2009. Photo by Ves Pitts. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/604812b6-5884-4232-a804-fce5d9800fe3/IMG_4005.jpg Blog - Rose Cory (Rose Wood) - in conversation with Phoebe Patey-Ferguson - Make it stand out Fig. 8: Rose Wood, New York City, 2017. Photo by Eva Mueller. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/f227fb9c-fc1f-4b1f-bca1-9dd34e36b106/IMG_4438.jpg Blog - Rose Cory (Rose Wood) - in conversation with Phoebe Patey-Ferguson - Make it stand out Fig. 9: Rose Wood, Box Soho, London, 2022. Photo by anonymous performer at Box Soho. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/5ac28bf4-e8ae-4280-8151-b0891c129d1a/rose-wood-performer-2008.jpg Blog - Rose Cory (Rose Wood) - in conversation with Phoebe Patey-Ferguson - Make it stand out Fig. 10: Rose Wood, New York City, 2012. Photo by Dietmar Busse. https://www.stagingdecadence.com/blog/disco-mania monthly 0.5 2023-03-23 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/8eb3ca4e-adb2-4501-94a3-f7eb09422ba5/Picture1.jpg Blog - Dancing Decadence: Disco-mania - Make it stand out Fig. 1: Serious Fun mini-zines (2014), written by Angel Rose and Oozing Gloop, and designed by Rose. Courtesy of Angel Rose. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/ec7e2068-f09d-47db-878e-bb933bcf2855/Disco+image+-+still+from+channel+4+documentary+I+Was+There+When+House+Took+Over+the+World.jpg Blog - Dancing Decadence: Disco-mania - Make it stand out Fig. 2: ‘Disco music at the Loft’. Still from I Was There When House Took Over The World (2017), dir. Jake Sumner for Channel 4. https://www.stagingdecadence.com/blog/dancing-decadence-salomania monthly 0.5 2023-02-17 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/826210c1-2be3-49dd-ab5a-ce70f1d7c67c/Maud+2.jpg Blog - Dancing decadence: Salomania - Make it stand out Fig. 1: Deadly and addictive. Advertisement for perfumed cigarettes, featuring Maud Allan. Monochrome print published in Broadway Brevities, 1 (6) (December 1921), p. 2. Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/e46c255c-6f31-402a-a892-a6ed4653e4fe/Maud+3.jpg Blog - Dancing decadence: Salomania - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/acdb18e1-5d9c-4dd0-819c-9334f0e5fdff/Maud+4.jpg Blog - Dancing decadence: Salomania - Make it stand out Figs 2 & 3: Jean Reutlinger, various photographic portraits of Maud Allan, including depictions of Salome. Bibliothèque nationale de France, département Estampes et photographie (46bis). For a comprehensive selection courtesy of Gallica, click here. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/273368a8-c03e-445e-9cc5-66ad79d27f6f/img.jfif Blog - Dancing decadence: Salomania - Make it stand out Fig. 4: The Sun, ‘Now the Daring Salome Dance Rages through the World Like an Epidemic’, The Sun (Baltimore), 30 August 1908, p. 24. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/40f0791c-03bc-45fb-a8a8-e7ceee5050e2/Maud+1.png Blog - Dancing decadence: Salomania - Make it stand out Fig. 5: Advert for one of several 1910 performances with New York's Russian Symphony Orchestra. New York Times, 9 February 1910, p.16. Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/f21eb189-388c-4d5e-b56c-53c933aa3b3d/Gertrude+1.jpg Blog - Dancing decadence: Salomania - Make it stand out Fig. 6: Gertrude Hoffmann as Salome, with head of Jokanaan, 1908. Photo by F. C. Bangs. Public domain. https://www.stagingdecadence.com/blog/anita-berber monthly 0.5 2023-02-17 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/01749430-32d6-4f85-8905-c0d997ea1a75/TA+00-2285+VF_2.jpg Blog - Dancing decadence: Anita Berber - Make it stand out Fig. 1: Anita Berber, Berlin, 1921-25. Unknown photographer, reproduced by Michael Setzpfandt. Courtesy of Stadtmuseum Berlin – Archiv Deutsche Staatsoper. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/8e10000e-745c-443e-a2e6-5f43067b433d/dance+is+death.jpg Blog - Dancing decadence: Anita Berber - Make it stand out Fig. 2: ‘Berlin, halt ein! Besinne Dich. Dein Tänzer ist der Tod’, 1919. Unknown artist, reproduced by Oliver Ziebe. Courtesy of Stadtmuseum Berlin. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/2349de51-93f6-446d-8d90-1fd61182348d/TA+00-2282+VF_2.jpg Blog - Dancing decadence: Anita Berber - Make it stand out Fig. 3: Anita Berber in the Rudolf Nelson Revue Bitte zahlen!, 1921. Photo by Ernst Schneider, reproduced by Michael Setzpfandt. Courtesy of Stadtmuseum Berlin. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/d0a700dc-b07e-4b22-9407-4576ad072ed8/TA+00-2284+VF_2.jpg Blog - Dancing decadence: Anita Berber - Make it stand out Fig. 4: Anita Berber, 1921. Unknown photographer, reproduced by Michael Setzpfandt. Courtesy of Stadtmuseum Berlin – Archiv Deutsche Staatsoper. https://www.stagingdecadence.com/blog/hasard-le-sin monthly 0.5 2022-12-19 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/ea05909e-6706-407d-93b7-3676db798755/HasardLeSin_S%C3%A4dePuusa006.jpg Blog - Hasard Le Sin - Interview for Staging Decadence - Make it stand out Photo by Säde Puusa. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/05689058-ec03-4da0-972a-43a2295db043/HasardLeSin_S%C3%A4dePuusa001.jpg Blog - Hasard Le Sin - Interview for Staging Decadence - Make it stand out Photo by Säde Puusa. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/70cc5d8a-6fb4-4bb8-8d68-d36b563e98a9/HasardLeSin_TeemuNurminen2.jpg Blog - Hasard Le Sin - Interview for Staging Decadence - Make it stand out Photo by Teemu Nurminen. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3d3319ac-b976-44fd-85e0-9bae90be4607/HasardLeSin_TeemuNurminen.jpg Blog - Hasard Le Sin - Interview for Staging Decadence - Make it stand out Photo by Teemu Nurminen. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/0fa02ede-1632-40db-b782-4f4c2a4a27f1/Fig.+6.1%2C+Hasard+Le+Sin.jpg Blog - Hasard Le Sin - Interview for Staging Decadence - Make it stand out Hasard Le Sin performs Fairy Boudoir at ‘Decadence @ Iklectik’ (2022), co-produced by Staging Decadence, the British Association of Decadence Studies, and Anjali Prashar-Savoie. Iklectik Arts Lab, London. Photo by Emma Jones. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/66a3d7a6-1eb7-4d07-bf5a-7cc8636eeaf8/HasardLeSin_S%C3%A4dePuusa012.jpg Blog - Hasard Le Sin - Interview for Staging Decadence - Make it stand out Photo by Säde Puusa. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/9c50d5e5-8542-409f-a130-750afccca73a/HasardLeSin_TuomasLairila003.jpeg Blog - Hasard Le Sin - Interview for Staging Decadence - Make it stand out Photo by Tuomas Lairila. https://www.stagingdecadence.com/blog/ada-m-patterson-in-conversation-with-rachel-hann monthly 0.5 2022-11-23 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/91cf29a8-f5be-4dee-82b7-87395f9898b0/header+image.jpg Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Ada M. Patterson, A Ship of Fools (2020), 3-channel digital music video installation, video still. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/cd8b6a8c-58f4-4286-a09c-8c21c9df0d6d/f01.jpg Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 1: Ada M. Patterson, A Ship of Fools (2020), 3-channel digital music video installation, video still. Photo: Aad Hoogendoorn. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3c2f4443-f1e7-423d-8ccf-415075af4bb9/f02.jpg Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 2: Ada M. Patterson, Barbados Mulatto Girl (2017), graphite and color pencil on paper. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/4a04d044-852d-448c-bdea-05a78c166cd8/f03.jpg Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 3: Ada M. Patterson, Barbados Mulatto Girl (2020), performance. Photo: Lisandro Suriel. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/5c5b24a8-7b4f-45d6-b9fc-7a6c08277186/f04.jpg Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 4: Ada M. Patterson, Bikkel (2019), digital video. Filmed by Kamali van Bochove. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/109c7301-c63f-4ffd-ab4b-d3102ddcc8ec/f05.jpg Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 5: Ada M. Patterson, Rammelaar (2019), digital video. Filmed by Kamali van Bochove. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/f319cf0e-99c3-4a58-bd45-1259952a12ed/f06.png Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 6: Ada M. Patterson, Mangrove Village (2018), live performance. Documented by Avery Butcher. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/6df5f2ce-b721-4b9f-9b05-7802139cfd05/f07.png Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 7: Ada M. Patterson, Looking for ‘Looking for Langston’ (2019), digital video. Still by Koes Staassen. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/aefe30e3-91fc-4485-b15f-655df2fc4f14/f08.jpg Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 8: Ada M. Patterson, Looking for ‘Looking for Langston’ (2019), digital video. Still by Koes Staassen. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/0e61a3db-6cf4-48cb-a8b8-24a9b2804c1d/f09a.png Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 9: Ada M. Patterson, Kanga for the Present (HEEDING THE WHISPERS OF THE CONCH) (2019), inkjet on cotton, as seen in The Whole World is Turning, digital video. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/aeb79cda-de9d-468b-aecc-21979a183e18/f09b.png Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 10: Ada M. Patterson, A Ship of Fools (2020), 3-channel digital music video installation, video still. Courtesy: the artist & Copperfield, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/98113fdc-39f6-4018-b7c5-024ef742e194/f010.jpg Blog - Ada M. Patterson – in conversation with Rachel Hann - Make it stand out Fig. 11: Ada M. Patterson, Buchibushi (2019), performance, digital video. Photo: Sharelly Emanuelson. Courtesy: the artist & Copperfield, London. https://www.stagingdecadence.com/blog/decadence-and-the-norfolk-rave-scene monthly 0.5 2023-02-17 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/cfdb8db2-c541-4bf4-98f3-790076060dfa/2%2C+good.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 1: Rushford Quarry, Norfolk, 2003. Brains Kan. Photo by Holly Mabee, courtesy of Louise Render. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/23a5d080-7da1-49e3-b551-6b38cbd2be8e/4%2C+good.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 2: Just off the A11 in Thetford, Norfolk, 2005. Equality Cohesion. Photo by Holly Mabee, courtesy of Louise Render. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/4297630a-ea1e-48df-b889-54f3b61d363d/1%2C+good.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 3: Rushford Quarry, Norfolk, 2003. Brains Kan. Photo by Holly Mabee, courtesy of Louise Render. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/3a2c2fe6-25b9-49fa-a406-35916df66e74/Staging_Decadence_selction-6.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 4: East Runton, Norfolk, 2003. Crossbones / K.D.U / Nine Bar / TechnoNotice / Tribe of Munt / Molotov. Photo by Molly Macindoe. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/6e09e3e5-9173-4c7e-a280-fae572ffed3e/Staging_Decadence_selction-7.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 5: Cholsey Downs, The Ridgeway, Oxfordshire, 2000. Chaos / Crossbones / Mainline / Urban Warfare. Photo by Molly Macindoe. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/733db2d1-9c59-46ea-b21c-0d0512b2fc55/8%2C+good.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 6: Woodbridge, Suffolk, 2005. Brains Kan / Equality / Real Eyes. Anonymous photographer, courtesy of Louise Render and Lauren Clarke. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/158f9c3f-eed5-4262-9a2e-17767e6eb63e/7%2C+good.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 7: Woodbridge, Suffolk, 2005. Brains Kan / Equality / Real Eyes. Anonymous photographer, courtesy of Louise Render and Lauren Clarke. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/02a06263-2c50-402c-b50b-9f4b52423718/The+Sun+article.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 8: Newspaper clipping from The Sun, 19 October 1988, pp. 16-17. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/b16501f8-d706-4494-be2a-258562c57c1b/Staging_Decadence_selction-3.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 9: Tekscape, 'Dust Tek', Manchester, May 2008. Photo by Molly Macindoe. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/22863b46-2964-4fc6-a6d4-c0dda0f1c0fc/Staging_Decadence_selction-12.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 10: Hardcore Equals Freedom, UK Tek, North Witham Airfield (a.k.a Twford Wood), South Kesteven, Lincolnshire. May 22-23, 2015. Photo by Molly Macindoe. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/930f1bda-799a-45af-94d2-ea92e745512c/5%2C+good.jpg Blog - Dancing decadence: The Norfolk rave scene - Make it stand out Fig. 11: Ministry of Defence sandpit quarry, Bodney Camp, Watton, Norfolk, 2007. Photo by Holly Mabee, courtesy of Louise Render. https://www.stagingdecadence.com/blog/shopping-in-byzantium monthly 0.5 2022-08-16 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/67d0a84a-d519-46e2-a183-8f3e8783c313/FIG+1_Ellen-Terry-Choosing.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 1: G. F. Watts, Choosing (1864). Oil on strawboard mounted on Gatorfoam. © National Portrait Gallery. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/759c9ed8-e181-4394-97a4-58c57312f788/FIG+2_2011FB3774.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 2: Caricature of Henry Irving and Ellen Terry (1900). Pen and Ink on Paper. © Victoria and Albert Museum. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/562de464-ff7c-4f9f-8f46-bf5ac0199914/FIG+3_2009BX7050.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 3: Sepia photograph of Ellen Terry as Camma in The Cup at the Lyceum Theatre (1881). © Victoria and Albert Museum. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/854e7e84-eaa8-474a-901c-e0672025df81/FIG+4_2009BX7256+.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 4: Ellen Terry as Guinevere in King Arthur (1895). © Victoria and Albert Museum. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/f8fd5bcf-ba0d-4b25-84df-80356a17e973/FIG+5_2009BX7177.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 5: Photograph of Ellen Terry as Ellaline in The Amber Heart (1887). © Victoria and Albert Museum. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/6b912b1f-9000-4482-a0c5-606efb8d51fa/FIG+6_N02053_10.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 6: John Singer Sargent, Portrait of Ellen Terry as Lady Macbeth (1889). Oil on canvas 1889. © Tate Britain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/b82ede4c-04f3-4e46-a599-fb2225faa81e/FIG+7_2009BX7197.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 7: Photograph of Ellen Terry as Lady Macbeth in Macbeth, Act 1, Scene 5 ( 1888). © Victoria and Albert Museum. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/7bf5b497-8916-40b2-a73d-9ba8f38425fc/FIG+9_2009BX7199.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 8: Photograph of Ellen Terry as Lady Macbeth in Macbeth, Act 3, Scene 4, Lyceum Theatre (1888). © Victoria and Albert Museum. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/232ff63b-8869-49d4-9039-10390b377359/FIG+10_IMG_20220725_144708.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 9: Detail of the surviving costume, now part of the Ellen Terry Collection and held by the National Trust. © Personal image by the author. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/7c20eb45-2bac-4e33-b40e-951191d807f8/FIG+11_2009BX7200.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 10: Photograph of Ellen Terry as Lady Macbeth in Macbeth, Act 5, Scene 1, Lyceum Theatre (1888). © Victoria and Albert Museum. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/77356e17-afc5-4a51-bf0d-974975d6b399/FIG+12_Ellen-Terry.jpg Blog - Ellen Terry, Shopping in Byzantium: Decadent costumes fit for a ‘Temple of Art’ - Make it stand out Fig. 11: Alexander Bassano. Ellen Terry (1880). © National Portrait Gallery. https://www.stagingdecadence.com/blog/martin-obrien monthly 0.5 2022-07-26 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/63996710-4eb2-49c0-8562-f08096af5588/Martin+cover+image+300dpi.jpg Blog - Martin O’Brien – interview for Staging Decadence - Make it stand out Martin O’Brien, The Last Breath Society (2021). Institute for Contemporary Art, London. Photo by Holly Revell. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/839e399c-7a40-4147-a88d-77c54647acd2/tu9.jpg Blog - Martin O’Brien – interview for Staging Decadence - Make it stand out Martin O’Brien, The Unwell (2016). Stills from film by Suhail Ilyas. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/7778fd18-18b1-45c3-8cb0-0299327da957/vlcsnap-2017-10-15-16h38m16s191.png Blog - Martin O’Brien – interview for Staging Decadence - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/563c76ca-8ccf-4500-a429-faeee5e48c5a/vlcsnap-2017-10-15-16h42m56s175.png Blog - Martin O’Brien – interview for Staging Decadence - Make it stand out Martin O’Brien, Sheree Rose and Rhiannon Aarons, The Viewing (2016), DaDaFest, Bluecoat, Liverpool. CCTV footage stills. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/bb84a5fb-38f3-4f2c-8710-ef749e20e588/Jul+29+2021Martin+day3+251.jpg Blog - Martin O’Brien – interview for Staging Decadence - Make it stand out Martin O’Brien, The Last Breath Society (2021). Institute for Contemporary Art, London. Photo by Manuel Vason. https://www.stagingdecadence.com/blog/julia-bardsley monthly 0.5 2022-06-27 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/c4d79f50-d465-49a4-b4b1-5e3764c00bcd/30_Aftermaths__SPILL_SA_D2_0018.jpg Blog - Julia Bardsley – interview for Staging Decadence - Make it stand out Plague in White Growth Gown: Garments of Disease from the Apocalypse Collection. Aftermaths: a tear in the meat of vision. SPILL Festival, London 2009. Photo by Simon Annand. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/e6bc96e0-d345-4bd5-91d0-7ea01d7301fb/01_Medea+darkmatterevents_Andrew+Poppy.jpg Blog - Julia Bardsley – interview for Staging Decadence - Make it stand out Medea in her laboratory from the Medea_darkmatterevents series: Medea_DARK|ROOM, SPILL Festival of Performance, London 2013. Photo by Andrew Poppy. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/4e7fca23-a6f2-479a-a61d-c940ac4099c4/03_TransActs_Devil_Julia+Bardsley.jpg Blog - Julia Bardsley – interview for Staging Decadence - Make it stand out From Trans-Acts: Act One - Transgression -The Devil (2003). 1of 9, 35mm photographs in archive box. By Julia Bardsley https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/03d87ea6-aef1-42e5-b390-3a1de929f394/04_Almost+The+Same_Publicity_Manuel+Vason.jpg Blog - Julia Bardsley – interview for Staging Decadence - Make it stand out Poster image for Almost The Same (feral rehearsals for violent acts of culture). Photo by Manual Vason. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/36294cb7-877a-45a4-a993-bf411c9a0ccc/Image+2.jpg Blog - Julia Bardsley – interview for Staging Decadence - Make it stand out Plague in Gold Restraint Gown: Garment of Disease from the Apocalypse Collection. Designed by Julia Bardsley for. Aftermaths: a tear in the meat of vision. SPILL Festival, London 2009. Photo by Simon Annand. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/58e027a2-9d84-4e7f-b239-0e7ce7bac102/04_+Almost+The+Same_Annand-000166.jpg Blog - Julia Bardsley – interview for Staging Decadence - Make it stand out From Almost The Same (feral rehearsals for violent acts of culture) Sacred Festival, London 2008. Photo by Simon Annand. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/76ae64e9-64d2-4594-b340-22369b69933f/02a_Poetics+of+Space_London_photo+JB.JPG Blog - Julia Bardsley – interview for Staging Decadence - Make it stand out From Reading Room_02: Bardsley vs Bachelard: The Poetics of Space. Peopling The Palace(s) Festival, QMUL 2017. Photo by Julia Bardsley. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/9d32bac5-9e70-457c-a260-09094f52656c/03e_An+Apian+Paradox_Fierce_photo+Manuel+Vason.jpg Blog - Julia Bardsley – interview for Staging Decadence - Make it stand out From Reading Room_03: social insect trilogy part i. The Life of the Bee. Bardsley vs Maeterlinck: An APIAN PARADOX Fierce! Festival, Birmingham 2019. Photo by Manual Vason. https://www.stagingdecadence.com/blog/decadence-in-cabaret-today monthly 0.5 2022-05-20 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/58e2aa81-1c29-4a5c-9391-3f38efcac62e/final+-+%40emwajones-4.jpg Blog - Decadence in Cabaret Today - Make it stand out Fig. 1: Ben Walters delivering a version of this post at the Staging Decadence salon, Rich Mix, London, 21 January 2022. Photo by Emma Jones. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/551bff6f-4c33-4dc1-b01b-172e519d1bd4/final+-+%40emwajones-22.jpg Blog - Decadence in Cabaret Today - Make it stand out Fig. 2: Sadie Sinner performing at the Staging Decadence salon, Rich Mix, London, 21 January 2022. Photo by Emma Jones. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/98afb157-76ae-4720-aade-fcf123745d12/Staging+Decadence+show+-+%40emwajones-11.jpg Blog - Decadence in Cabaret Today - Make it stand out Fig. 3: Nando Messias performing at the Staging Decadence salon, Rich Mix, London, 21 January 2022. Photo by Emma Jones. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/92acd5aa-13a2-42d7-94f6-43a65f7b44bc/final+-+%40emwajones-2.jpg Blog - Decadence in Cabaret Today - Make it stand out Fig. 4: Lucy McCormick performing at the Staging Decadence salon, Rich Mix, London, 21 January 2022. Photo by Emma Jones. https://www.stagingdecadence.com/blog/5th-marquis-of-anglesey monthly 0.5 2022-04-16 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/b9e668d4-d3a9-4703-900b-e3790135a7e9/MoA+Fig.1.jpeg Blog - Toppy, Tilley and the Faithful Jerry: decadence on display in the performing lives of the 5th Marquis of Anglesey (1875-1905) - Make it stand out Fig. 1: Daily Mirror, 4 June 1904, p. 7. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/518548e4-7d81-42ea-91c9-c143f6422118/MoA+Fig.2.+Moustaches.jpeg Blog - Toppy, Tilley and the Faithful Jerry: decadence on display in the performing lives of the 5th Marquis of Anglesey (1875-1905) - Make it stand out Fig. 2: Left – Portrait of Robert de Montesquiou by Baldini. Author’s own copy of the Penguin Classics cover of J. K. Huysmans, Against Nature (1959). Right – newspaper sketch of the Marquis of Anglesey in court. Tamworth Herald, 21 September 1901, p. 6. British Newspaper Archive. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/d977142c-daa3-4878-8647-6c94956aeedd/pantsagain+%2896dpi7Mb%29.jpeg Blog - Toppy, Tilley and the Faithful Jerry: decadence on display in the performing lives of the 5th Marquis of Anglesey (1875-1905) - Make it stand out Fig. 3: The Marquis of Anglesey’s underwear. National Museum of Scotland. (https://www.nms.ac.uk/explore-our-collections/collection-search-results/underpants-mans/350736). © https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/afb86c76-e624-430d-a80f-5f911b641245/MoA+Fig.3.jpg Blog - Toppy, Tilley and the Faithful Jerry: decadence on display in the performing lives of the 5th Marquis of Anglesey (1875-1905) - Make it stand out Fig. 4: Postcard of the 5th Marquis in naval uniform with pointy nails. Courtesy of John Cowell. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/bbb86706-6fa6-420f-aa42-df6d47e4af1e/Convict.jpeg Blog - Toppy, Tilley and the Faithful Jerry: decadence on display in the performing lives of the 5th Marquis of Anglesey (1875-1905) - Make it stand out Fig. 5: The Marquis as Pierre Rougon in Voices of the Night, 1903. Photograph: John Wickens. The Sketch, 22 March 1905, p. 325. British Newspaper Archive. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/e0548813-72e3-4660-8bbd-6950b43a17a6/MoA+Fig.5.jpeg Blog - Toppy, Tilley and the Faithful Jerry: decadence on display in the performing lives of the 5th Marquis of Anglesey (1875-1905) - Make it stand out Fig. 6: The Marquis in his Butterfly Dance costume. Daily Dispatch, 15 March 1905, p. 7. British Newspaper Archive. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/08326081-837c-4902-8f65-d0fe8c9b6deb/MoA+Fig.6.jpg Blog - Toppy, Tilley and the Faithful Jerry: decadence on display in the performing lives of the 5th Marquis of Anglesey (1875-1905) - Make it stand out Fig. 7: The Marquis (centre) in ’Byzantian’ fancy dress (with lily) amongst his family, friends, and staff (including his chauffeur as Charles I, actor Frank Hilton as ‘the daintiest of Polchinelle dolls’, and his house manager, Walter Player, in coronation robes). 27th birthday celebration, June 1902. Author's own collection. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/314016a8-e1e5-4b9a-8846-269db990ece5/MoA+Fig.7+edit.jpg Blog - Toppy, Tilley and the Faithful Jerry: decadence on display in the performing lives of the 5th Marquis of Anglesey (1875-1905) - Make it stand out Fig. 8: The Marquis as 'Boy Blue' in Red Riding Hood. The Sketch, 21 January 1903, p. 3. British Newspaper Archive. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/c23bcbd0-0eba-488f-a51e-d55c5e311f8f/MoA+Fig.8+edit.jpg Blog - Toppy, Tilley and the Faithful Jerry: decadence on display in the performing lives of the 5th Marquis of Anglesey (1875-1905) - Make it stand out Fig. 9: The Marquis as Guy Dudley (second right) in his musical brigand costume, in the 1900 amateur production of A Runaway Boy. Tatler, No. 6, 7 August 1901, p. 285. Author’s own collection. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/9a9f038b-7cee-4c60-8aea-675862a30298/MoA+Fig.9.jpg Blog - Toppy, Tilley and the Faithful Jerry: decadence on display in the performing lives of the 5th Marquis of Anglesey (1875-1905) - Make it stand out Fig. 10: Photograph taken in the auction-marquee Anglesey Castle sale, August 1904, showing ‘the plank’ stage and possibly ‘faithful Jerry’. General Collection of Bangor Manuscripts/25950. Archives and Special Collections, Bangor University. https://www.stagingdecadence.com/blog/effigies-of-wickedness monthly 0.5 2022-02-17 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/b237d416-3350-4e18-bd1e-dc8b4eaefcc6/Effigies+of+Wickedness_Production_Gate+Theatre_Helen+Murray-86.jpg Blog - Effigies of Wickedness: Degenerate music, then and now - Make it stand out Le Gateau Chocolat in Effigies of Wickedness, The Gate Theatre, 2018. Design by E. M. Parry. Lighting by Azusa Ono. Photo: Hellen Murray. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/d44c1234-860d-41dd-a169-e339385d1f2f/Effigies+of+Wickedness_Production_Gate+Theatre_Helen+Murray-911.jpg Blog - Effigies of Wickedness: Degenerate music, then and now - Make it stand out Peter Brathwaite in Effigies of Wickedness, The Gate Theatre, 2018. Design by E. M. Parry. Lighting by Azusa Ono. Photo: Hellen Murray. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/333ea40d-2ecf-4e36-ace8-7249d3dd99cf/Effigies+of+Wickedness_Production_Gate+Theatre_Helen+Murray-173.jpg Blog - Effigies of Wickedness: Degenerate music, then and now - Make it stand out Left to right: Le Gateau Chocolat, Lucy McCormick, Katie Bray and Peter Brathwaite in Effigies of Wickedness, The Gate Theatre, 2018. Design by E. M. Parry. Lighting by Azusa Ono. Photo: Hellen Murray. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/ceb16a48-4e53-4b4b-9f97-cdd4ec98da04/Effigies+of+Wickedness_Production_Gate+Theatre_Helen+Murray-19.jpg Blog - Effigies of Wickedness: Degenerate music, then and now - Make it stand out Lucy McCormick in Effigies of Wickedness, The Gate Theatre, 2018. Design by E. M. Parry. Lighting by Azusa Ono. Photo: Hellen Murray. https://www.stagingdecadence.com/blog/selling-the-sun monthly 0.5 2022-01-03 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/2b87f474-6f64-4b4f-a351-6c032f5ae64a/Paris+evening+%281%29.jpg Blog - Selling the Sun - Make it stand out Fig. 1: a ‘light show’ over the Seine (with the Conciergerie in silhouette), not far from where Rachilde’s vendor might have been standing. Photo: Melanie Hawthorne. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1b30a96e-98ba-444f-b3b2-6c2de1e2b2b6/Les_Gloires_malsaines___la_%5B...%5DEstoc_Gis%C3%A8le_bpt6k6136677r.JPEG Blog - Selling the Sun - Make it stand out Fig. 2: a drawing by Fernand Fau depicting Rachilde (it is thought, though never specified) drumming up publicity for her novels. Illustration for Les Gloires malsaines: la Vierge réclame, by Gisèle d’Estoc, 1887. Public domain. https://www.stagingdecadence.com/blog/decadent-plays-jean-lorrain-and-remy-de-gourmont monthly 0.5 2022-01-11 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/17be3999-31ad-44be-94c0-568a9302908f/Redon+Helene+Ennoia+%281%29.jpg Blog - Decadent Plays: Jean Lorrain and Remy de Gourmont - Make it stand out Fig. 1: Lithograph by Odilon Redon, published as an illustration for and homage to Gustave Flaubert’s Hélène (Ennoia) (1896). Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/aace1845-36c3-44a5-b803-62a19d453cd3/lilith.jpg Blog - Decadent Plays: Jean Lorrain and Remy de Gourmont - Make it stand out Fig. 2: Dante Gabriel Rossetti’s Lady Lilith (1866). Delaware Art Museum, the Samuel and Mary R. Bancroft Memorial, 1935. Public domain. https://www.stagingdecadence.com/blog/upstaging-decadence-imperialism-humanism-and-the-symbolist-mode-in-salom monthly 0.5 2021-11-17 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1633783260362-BCB76FAGJ4SU36OZHH45/Aubrey+Beardsley%2C+illustration+for+Oscar+%E2%80%ADWilde%27s+Salome%2C+1893.+Public+domain..jpg Blog - Upstaging decadence? Imperialism, Humanism and the Symbolist Mode in Salomé - Make it stand out Aubrey Beardsley, illustration for Oscar ‭Wilde's Salomé, 1893. Public domain https://www.stagingdecadence.com/blog/bruce-benderson-interview-for-staging-decadence monthly 0.5 2021-11-01 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1635587627508-MAIBTV0QB4O5F8OIJ7BS/Bruce+decadent+headshot.JPG Blog - Bruce Benderson – interview for Staging Decadence - Make it stand out Normandy, a house on the ocean, staying with a friend, the French novelist Benoît Duteurtre, 2005. Copyright Bruce Benderson 2021. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1635587731854-2QHJL5GGZRF9BN00SBFC/DSC00036.JPG Blog - Bruce Benderson – interview for Staging Decadence - Make it stand out Model at fashion show in the form of an installation by designer John Bartlett, inspired by the work of Jean Genet, New York City, 2001. Copyright Bruce Benderson 2021. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1635587929243-WUM9QV2IN73SZR5HWYN3/DSC00570.JPG Blog - Bruce Benderson – interview for Staging Decadence - Make it stand out One of dozens of photos taken as a contribution to a filmstrip created by artist Scott Ewalt, used as projected background to Benderson’s lecture on William Burroughs at the Palais de Tokyo, Paris, 2007. Copyright Bruce Benderson 2021. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1635588019612-2E9XVXUDT58RMNR2SZXX/DSC00889.JPG Blog - Bruce Benderson – interview for Staging Decadence - Make it stand out Stiff life: silicone and glass dildos, silk pillow, taken in Benderson’s apartment in New York City, 2003. Copyright Bruce Benderson 2021. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1635588157107-G0I6RJWP1STHD60RQ86U/DSC09957.JPG Blog - Bruce Benderson – interview for Staging Decadence - Make it stand out The Life Ball, a yearly AIDS charity event and costume ball, Vienna, 2008. Copyright Bruce Benderson 2021. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1635588203929-02ENRPBUX5184DR4PP4X/DSC00043.jpg Blog - Bruce Benderson – interview for Staging Decadence - Make it stand out Amanda Lepore wearing pink lipstick and nothing else, appearing for Mac Cosmetics and Heatherette in a show directed by David LaChapelle, New York City, 2001. Copyright Bruce Benderson 2021. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1635588820406-YLYVVKUHYEUP0F41T20T/DSC00054+%281%29.jpg Blog - Bruce Benderson – interview for Staging Decadence - Make it stand out Pearl Martin backstage at Edelweiss, a drag performance club, New York City, 2001. Copyright Bruce Benderson 2021. https://www.stagingdecadence.com/blog/rotten-intervals-stuart-brisleys-ten-days monthly 0.5 2021-10-14 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1634222845537-4NCLOGFM6BPNY0TX32CM/10555943484bebd83bbb33c5.02510002+%281%29.jpeg Blog - Rotten Intervals: Stuart Brisley’s Ten Days - Make it stand out Stuart Brisley, 10 Days, Performance at Editions Paramedia, Berlin, 1973. Photo by Inge Lommatzsch. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1634222996508-F82X96XMY20W2NSO10VX/7874868184bebd913094d23.46421516.jpeg Blog - Rotten Intervals: Stuart Brisley’s Ten Days - Make it stand out Stuart Brisley, 10 Days, Performance at Editions Paramedia, Berlin, 1973. Photo by Inge Lommatzsch. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1634223073173-Z2D8GGM0AX0XCSEL3NIN/1342236714b30f91baef6e1.86842504.jpeg Blog - Rotten Intervals: Stuart Brisley’s Ten Days - Make it stand out Stuart Brisley, Homage to the Commune, Performance at Palazzo Reale Milan, 1976. Photo by Leslie Haslam. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1634223152395-WAIG49P9JDHJBZWMF13L/15835718034bebd964392998.81903218.jpeg Blog - Rotten Intervals: Stuart Brisley’s Ten Days - Make it stand out Stuart Brisley, 10 Days, Performance at Editions Paramedia, Berlin, 1973. Photo by Inge Lommatzsch. Courtesy of the artist. https://www.stagingdecadence.com/blog/salomania-and-the-russian-disease monthly 0.5 2021-09-06 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1629714887499-36ATLP82AKL88YK3TNAY/Fig+1.+.jpg Blog - Salomania and The Russian Disease - Make it stand out Fig. 1: ‘In the Beardsley Manner: The Salomé of the Russian Ballet’. The Illustrated London News, 28 June 1913. Source: National Library of Scotland. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1629710671092-QN7W490K9Y7HPINUH6VN/Girdwood%2C+Fig.2_SD.jpg Blog - Salomania and The Russian Disease - Make it stand out Fig. 2: Maud Allan as Salome in The Vision of Salome. Postcard by Foulsham & Banfield, 1908. National Portrait Gallery, London. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1629710794443-RQE7JW5XC6TD5S51B3W5/Girdwood%2C+Fig.3_SD+REV.jpeg Blog - Salomania and The Russian Disease - Make it stand out Fig. 3: Review of La Tragédie de Salomé with images of Serge Soudeïkine’s set and Tamara Karsavina in costume as Salome. Jacques Debey, ‘La Tragédie de Salomé’, Comoedia Illustré [5 July 1913], 906-7. Bibliothèque nationale de France. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1629710838784-STEGXD94JHNTA1DRV0Y0/Girdwood%2C+Fig.4_SD.jpg Blog - Salomania and The Russian Disease - Make it stand out Fig. 4: Léon Bakst, costume design for Ida Rubinstein as Salomé, 1908. Wikimedia Commons. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1629710884464-EBI3MKBE0OQ7KUCH2ONA/FIg.5_SD_HD.jpg Blog - Salomania and The Russian Disease - Make it stand out Fig. 5: La danse du Feu: Loïe Fuller. Poster by Jules Chéret, 1897. Bibliothèque nationale de France. https://www.stagingdecadence.com/blog/death-becomes-her monthly 0.5 2021-08-18 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1629208626753-53G4CFPNBR7WZ1C6HSQ4/Conti+Fig+1.+REV.jpeg Blog - Death Becomes Her: The Decadent Aesthetics of Dying in Sarah Bernhardt’s La Dame Aux Camélias - Make it stand out Sarah Bernhardt in La dame aux camélias, by Alexandre Dumas fils. 1882. Downey, W. & D. Bibliothèque nationale de France. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1629208744237-WQ6ZB1BCPX6HP5JKDDIA/Conti+Fig+2+REV.jpg Blog - Death Becomes Her: The Decadent Aesthetics of Dying in Sarah Bernhardt’s La Dame Aux Camélias - Make it stand out Sarah Bernhardt in La dame aux camélias, by Alexandre Dumas fils. 1913. Photoprint copyrighted by Rochlitz-Wheeler. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1629208864034-HKRPIKEZ6XHA1EYDAWHW/Conti+Fig.+3+REV.jpeg Blog - Death Becomes Her: The Decadent Aesthetics of Dying in Sarah Bernhardt’s La Dame Aux Camélias - Make it stand out Sarah Bernhardt in La dame aux camélias, by Alexandre Dumas fils. Downey, W. & D. Bibliothèque nationale de France. https://www.stagingdecadence.com/blog/salome-in-china monthly 0.5 2021-07-30 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1626797112312-YFHJICHTYBHGA1I8BVV1/Figure1.jpg Blog - The Cultural Politics of Staging Salomé in China - Make it stand out Fig. 1: first page of Tian Han’s translation of Salomé, prefaced by a poem from Guo Moruo, in Shaonian Zhongguo (The Young China), 2 (9) (March 1921), Beijing. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1626797180312-44SXU3RTIK7THE8WFU2R/Figure2.jpg Blog - The Cultural Politics of Staging Salomé in China - Make it stand out Fig. 2: Matsui Sumako as Salomé, Imperial Theatre (Teikoku Gekijō), 1913, Tokyo. Available here. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1626797243245-H9O3CNXDVWJV29PZ96C9/Figure3.jpg Blog - The Cultural Politics of Staging Salomé in China - Make it stand out Fig. 3: Film still showcasing stage and costume designs for the 1923 film Salomé, written and produced by Alla Nazimova and with her in the title role. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1626797403510-252Z4MWUK0ZOX1VF9GDR/Figure4.left.jpg Blog - The Cultural Politics of Staging Salomé in China - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1626797420926-1FLSI6XZFF1JXB5JWYPU/Figure4.right.jpg Blog - The Cultural Politics of Staging Salomé in China - Make it stand out Fig. 4: Top: performance still of Yu Shan posing as Salomé; bottom: Yu Shan as Salomé holding the head of John the Baptist (performed by Chen Ningqiu), directed by Tian Han, photo by Guang Yi, Southland Institute, 1929, Shanghai, in Shidai huabao (Times Illustrated), no. 1 (October 1929). https://www.stagingdecadence.com/blog/ivy-monteiro monthly 0.5 2021-07-19 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1626084215447-0JBQSHXGJG1ELGIR9L2I/Ivy+1.png Blog - Ivy Monteiro – Interview for Staging Decadence - Make it stand out Ivy Monteiro, Tituba (2017), from Taboao da Serra. Photo: Ivy Monteiro. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1626085123122-KC7794FD5PC6M2R8T856/Ivy+4.png Blog - Ivy Monteiro – Interview for Staging Decadence - Make it stand out Ivy Monteiro, portrait with Chihuahua by Lydia Perrot and Carole Arbenz. Courtesy of the artists. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1626085086767-5EIK3Q7OAZU1ZAXE37TU/Ivy+2.png Blog - Ivy Monteiro – Interview for Staging Decadence - Make it stand out Ivy Monteiro, Spring in Ruins (2011). Photo: Ivy Monteiro. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1626085226925-L0CKOOK2SMNRUP9CWKPR/Ivy+3.png Blog - Ivy Monteiro – Interview for Staging Decadence - Make it stand out Promotional poster for FEUCHT. Courtesy of Ivy Monteiro. https://www.stagingdecadence.com/blog/nero-or-romes-first-actor-emperor monthly 0.5 2021-07-07 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1625654853113-YKW4EX68ESCXIZHYEDNF/nero+1.png Blog - Nero, or Rome’s first actor-emperor - Make it stand out Fig. 1: ‘Nero, after the Antique’, by Jacques Louis Perée, with Jean Auguste Dominique Ingres serving as intermediary draughtsman, 1803/09. The etching depicts an (imagined) statue of emperor Nero, standing whole-length, and nude except for a drapery around his waist. © The Trustees of the British Museum. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1625655174353-8ELTYFR1JI64LX5U9K8K/nero+coin.png Blog - Nero, or Rome’s first actor-emperor - Make it stand out Fig. 2: Alloy coin from Nero’s reign. The obverse depicts Nero’s head. The reverse depicts Nero playing a lyre in the flowing robes of Apollo Citharoedus. © The Trustees of the British Museum. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1625653804943-6LG36YC6MZA1VGYSUWW5/nero+masks.png Blog - Nero, or Rome’s first actor-emperor - Make it stand out Fig. 3: 2nd century marble relief with tragic and comic masks. © The Trustees of the British Museum. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1625654110355-H31UFY2LSD3MS22ESN95/wilde-nero-sarony.jpg Blog - Nero, or Rome’s first actor-emperor - Make it stand out Fig. 4: 1883 Portrait of Oscar Wilde with his Neronian haircut, by Napoleon Sarony. https://www.stagingdecadence.com/blog/sniffing-out-a-past monthly 0.5 2021-06-09 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1622894967210-DJGSEXVVBL7NYK8U6OTL/535539.jpg Blog - Sniffing Out a Past  - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1623138972597-OE4MKZNPUC5AOWWFCTF8/brighton+on+a+morning+walk.jpg Blog - Sniffing Out a Past  - Make it stand out Brighton on a morning walk. Courtesy of Stephen Farrier. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1623139033711-H2LLODLZH0Z1900PIBIK/Steve+and+his+sisiter.jpg Blog - Sniffing Out a Past  - Make it stand out Photo of Steve with his sister, Vanessa, around the time he met Alexander. Courtesy of Stephen Farrier. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1622895537545-MNJ0FGTZ6XGD0V4T3XIM/81nEWYyHgBL.jpg Blog - Sniffing Out a Past  - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1623139082109-8VM1FBY92040IIO0NMBS/QuentinCrisp%28Q%26A%29RossBennettLewisPHOTO.png Blog - Sniffing Out a Past  - Make it stand out Quentin Crisp during a Q&A. Photo by Ross B. Lewis. Creative Commons. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1623176926494-PT2RPAY0INATCHPMY3NY/Rose+Wood+high+res.png Blog - Sniffing Out a Past  - Make it stand out Rose Wood in the dressing room before a private performance at the Zipper Theater, New York. Photo by Michel Delsol. All rights reserved. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1622896199459-A8UWUPMJ58QFJO99MRHM/Lou_Reed_HS_Yearbook_28cropped29.jpeg Blog - Sniffing Out a Past  - Make it stand out Lou Reed’s High School Yearbook. Public Domain https://www.stagingdecadence.com/blog/elektra-1903 monthly 0.5 2021-05-25 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1621934467409-ME5Z6B1742S6WPLFTGJ9/Eysoldt+Elektra+%28archive+permission+needed%29.jpg Blog - Night of the Living Dead: Elektra, 1903 - Make it stand out Gertrud Eysoldt as Elektra in Hugo von Hofmannsthal’s Elektra. Kleines Theater, Berlin, 1903. Reproduction by Max Reinhardt Archive and Library. Binghamton University Libraries’ Special Collections and University Archives. Binghamton University, Binghamton, New York. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1621934540928-7CPB6VAD68GMLQVLHS7A/Elektra+listens+%28fair+use%29.jpg Blog - Night of the Living Dead: Elektra, 1903 - Make it stand out Gertrud Eysoldt as ‘Elektra Listening to the Murder of her Mother’. Photograph by Aura Hertwig. Berliner Illustrirte Zeitung 12, no. 48 (1903), 755. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1621934577273-OBAFULD1CDL297DGTH8U/Elektra+dancing+%28fair+use%29.jpg Blog - Night of the Living Dead: Elektra, 1903 - Make it stand out Gertrud Eysoldt in ‘Elektra’s Dance Scene in the Final Act’. Photograph by Aura Hertwig. Berliner Illustrirte Zeitung 12, no. 48 (1903), 755. https://www.stagingdecadence.com/blog/pleasure-lab monthly 0.5 2021-07-12 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1621275928948-OM6X1V44I92GX9G2RNTC/Bertlmann_Knife+Breast_1975.jpg Blog - Pleasure Lab: Weirdness and Decadence in the Work of Renate Bertlmann - Make it stand out Fig. 1: Renate Bertlmann, Knife Breast (1975). Copyright: Renate Bertlmann / Bildrecht Vienna. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1621276003926-I60NK6GMIOV1N0DXNIET/Bertlmann_Knife+Pacifier+Hands.jpg Blog - Pleasure Lab: Weirdness and Decadence in the Work of Renate Bertlmann - Make it stand out Fig. 2: Renate Bertlmann, Knife Pacifier Hands – Ambivalences (1981). Copyright: Renate Bertlmann / Bildrecht Vienna. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1621276074207-TW9Z3KX92VJMBTAMCAH3/R-Bertlmann-Discordo+3.jpg Blog - Pleasure Lab: Weirdness and Decadence in the Work of Renate Bertlmann - Make it stand out Fig. 3: Renate Bertlmann, Discordo Ergo Sum (2019). Austrian Pavilion, Biennale Arte 2019, Venice. Photo: Sophie Thun. Courtesy of the Richard Saltoun Gallery, London / Renate Bertlmann, Vienna. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1621276133346-OAZYJF8KZIJR8G92HZ3U/Bertlmann_DEFLORAZIONE_2.jpg Blog - Pleasure Lab: Weirdness and Decadence in the Work of Renate Bertlmann - Make it stand out Fig. 4: Renate Bertlmann, Deflorazione in 14 Stazioni - Performance (1977). Photo: Roberto Vidali. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1621276202994-SC5JD4CAF4DMK0BXRXRN/Bertlmann_DEFLORAZIONE_3.jpg Blog - Pleasure Lab: Weirdness and Decadence in the Work of Renate Bertlmann - Make it stand out Fig. 5: Renate Bertlmann, Deflorazione in 14 Stazioni - Performance (1977). Photo: Roberto Vidali. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1621276255851-IEKW81M0ZGT1211QNQ08/R-Bertlmann-Discordo+1.jpg Blog - Pleasure Lab: Weirdness and Decadence in the Work of Renate Bertlmann - Make it stand out Fig. 6: Renate Bertlmann, Discordo Ergo Sum (2019). Austrian Pavilion, Biennale Arte 2019, Venice. Photo: Sophie Thun. Courtesy of the Richard Saltoun Gallery, London / Renate Bertlmann, Vienna. https://www.stagingdecadence.com/blog/queer-decadence-decline-as-radical-refusal-in-charles-ludlams-ridiculous-theatre monthly 0.5 2021-05-04 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1620063690481-W7K65FXF4KOJNUGRLVAQ/Fig.+1+Decadence+Edgecomb.jpg Blog - Queer Decadence: Decline as Radical Refusal in Charles Ludlam’s Ridiculous Theatre Fig. 1: Charles Ludlam and other members of the Ridiculous Theatrical company in the mid-1970s. Photo: Unknown. Courtesy of the Laurence Senelick Theatre Collection. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1620063758247-LL5R55IUM649PV2CKUG4/Fig.+2+Edgecomb+Decadence.jpg Blog - Queer Decadence: Decline as Radical Refusal in Charles Ludlam’s Ridiculous Theatre Fig. 2: Charles Ludlam in the dressing room, wearing a breast plate for his role in Salammbô. Photo: Sylvia Plachy. Courtesy of the Laurence Senelick Theatre Collection. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1620063818409-R94VZ74K43AI2J8TQIU9/Fig.+3+Edgecomb+Decadence+copy.jpg Blog - Queer Decadence: Decline as Radical Refusal in Charles Ludlam’s Ridiculous Theatre Fig. 3: Ludlam in the title role of Camille in a gown that revealed his chest hair, embraced by paramour Armand Duval (Bill Vehr). Photo: John Stern. Author’s Collection. https://www.stagingdecadence.com/blog/vernon-lee-walter-pater-and-the-revival-of-medieval-theatre monthly 0.5 2021-04-13 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1618218432617-HAG704I4RBB37HXNKLSM/IMG_5516.JPG Blog - Vernon Lee, Walter Pater, and the Revival of Medieval Theatre Fig. 1: Vernon Lee’s The Ballet of the Nations, Villa il Palmerino, Florence, 31 May 2019. Dir. Angeliki Papoulia. Photo: Giuseppe Sabella. Courtesy of Federica Parretti and the Associazione Culturale il Palmerino. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1618218129203-J0Y66JHAN2YLTCZLA5I2/lee.jpg Blog - Vernon Lee, Walter Pater, and the Revival of Medieval Theatre Fig. 2: Maxwell Armfield, Illustration to The Ballet of the Nations, first edition (1915). Public domain. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1618217680537-ORMFPK3JTI0VXYQMI9ED/IMG_5812.JPG Blog - Vernon Lee, Walter Pater, and the Revival of Medieval Theatre Fig. 3: Lee’s The Ballet of the Nations, Villa il Palmerino, Florence, 31 May 2019. Dir. Angeliki Papoulia. Photo: Giuseppe Sabella. Courtesy of Federica Parretti and the Associazione Culturale il Palmerino. https://www.stagingdecadence.com/blog/sheree-rose-interview-for-staging-decadence monthly 0.5 2021-03-23 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1615834132522-2SMIOQYUFPWENFR5WKRS/Bob+Flanagan+and+Sheree+Rose%2C+1995.+Photograph+by+Michel+Delsol.+Courtesy+of+Sheree+Rose+and+ONE+Archives+at+the+USC+Libraries..jpg Blog - Sheree Rose – Interview for Staging Decadence Bob Flanagan and Sheree Rose on the anniversary of their weeding, 1995. Photo by © Michel Delsol, all rights reserved. Courtesy of Sheree Rose and ONE Archives at the USC Libraries. https://www.stagingdecadence.com/blog/toco-nikaido-interview-for-staging-decadence monthly 0.5 2021-03-04 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1614855284820-8D1OL6007077KCPD3RU5/02_MissRevolutionaryIdolBerserker_ExtremeVoices_Foto_A.Greiner-Napp.jpg Blog - Toco Nikaido – Interview for Staging Decadence Toco Nikaido, Miss Revolutionary Idol Berserker: Extreme Voices (2016). Festival Theaterformen, Braunschweig. Photo: Andreas Greiner-Napp, https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1614855350399-D8E6JQLHZ9WZJHQQANDZ/DSC_1826+M.Zakrzewski-2.jpg Blog - Toco Nikaido – Interview for Staging Decadence Toco Nikaido, Miss Revolutionary Idol Berserker: Extreme Voices (2016). Malta Festival Poznań, Poznań. Photo: M. Zakrzewski. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1614855404209-DZKD69GFLB6BOWP0M8NO/06_MissRevolutionaryIdolBerserker_ExtremeVoices_Foto_A.Greiner-Napp.jpg Blog - Toco Nikaido – Interview for Staging Decadence Performers with ‘string telephones’. Toco Nikaido, Miss Revolutionary Idol Berserker: Extreme Voices (2016). Festival Theaterformen, Braunschweig. Photo: Andreas Greiner-Napp, https://www.stagingdecadence.com/blog/on-sick-performance-and-theatres-chronic-maladies monthly 0.5 2021-02-11 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1613039049018-L8NCO55LLUT3KZQ1ITRL/theatre%2Bd%2527art%2Bserial%252C%2Bp.%2B1%2B%255Bn.p.%255D.jpg Blog - On sick performance and theatre’s chronic maladies Fig 1. Théâtre d'art, printed serial [excerpt]. 20 March 1891. Bibliothèque nationale de France, département de la Réserve des livres rares. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1613039190258-JTYIY1HQS3ZRPEQOHNPV/theatre%252Bd%252527art%252Bserial%25252C%252Bp.%252B4%252B%25255Bn.p.%25255D.jpg Blog - On sick performance and theatre’s chronic maladies Fig 2. Théâtre d'art, printed serial [excerpt]. 20 March 1891. Bibliothèque nationale de France, département Réserve des livres rares. Note the announcement in the centre: ‘Soon the theatre will give a benefit performance for the poet Paul Verlaine and the painter Paul Gauguin’, including works by Maurice Maeterlinck (L’Intruse), Paul Verlaine (Les Uns et les Autres), and Charles Morice (Chérubin). https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1613038493094-1SVR1W1OGWXZ5S0CD5KM/Variety%2C+11+Oct.+1918.+Note+also+the+article+on+Sarah+Bernhardt+s+imminent+departure..jpg Blog - On sick performance and theatre’s chronic maladies Fig 3. Variety, front page excerpt, 11 Oct. 1918. This edition was published at the end of Sarah Bernhardt’s final tour of the United States, as per the notice in the right-hand column. She had already had her leg amputated by this point, and was suffering from uremia. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1613038543021-ISOVX1U3AUNGB6EO9N07/Bob+Flanagan+and+Sheree+Rose%2C+1995.+Photograph+by+Michel+Delsol.+Courtesy+of+Sheree+Rose+and+ONE+Archives+at+the+USC+Libraries..jpg Blog - On sick performance and theatre’s chronic maladies Fig. 4: Bob Flanagan and Sheree Rose on the anniversary of their weeding, 1995. Photo by © Michel Delsol, all rights reserved. Courtesy of Sheree Rose and ONE Archives at the USC Libraries. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1613038580095-BW9TKLQZXSTBAY2OZ2WC/Martin+1.jpeg Blog - On sick performance and theatre’s chronic maladies Fig. 5: Martin O’Brien, Last(ing) (2013). Toynbee Studios, London. Credit: Guido Mencari. https://www.stagingdecadence.com/blog/lucy-mccormick-interview-for-staging-decadence monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1611570896639-WG00UHSUTX0CTCKZJ93J/Lucy+McCormick%2C+at+the+Royal+Vauxhall+Tavern.+Photo+by+Holly+Revell.+Permission+to+use..jpg Blog - Lucy McCormick - Interview for Staging Decadence Lucy McCormick performing at the Royal Vauxhall Tavern. Photo by Holly Revell. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1611571769601-6IIQTM2WM72EC95DWLH5/Lucy+McCormick%2C+Life+-+Live.+2019.+Fierce+Festival%2C+opening+day.+Photo+by.+Manuel+Vason.+Permission+to+use+on+website..jpg Blog - Lucy McCormick - Interview for Staging Decadence Lucy McCormick, Life: Live! (2019), Fierce Festival. Photo by. Manuel Vason. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1611571853226-28HWYOLWRB2XJMMA2K0S/Lucy+McCormick%2C+Post+Popular.+2019.+Photo+by+Holly+Revell.+Permission+to+use+on+website+3.jpg Blog - Lucy McCormick - Interview for Staging Decadence Lucy McCormick, Post Popular (2019). Photo by Holly Revell. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1611571916973-JXRQZ35XTIYOLVB94SU3/Lucy+McCormick+performing+at+Jonny+Woo+s+Unroyal+Variety%2C+Hackney+Empire%2C+2017.+Photo+by+Holly+Revell..jpg Blog - Lucy McCormick - Interview for Staging Decadence Lucy McCormick performing at Jonny Woo’s Unroyal Variety (2017), Hackney Empire. Photo by Holly Revell. https://www.stagingdecadence.com/blog/the-mythical-decadence-of-weimar-cabaret monthly 0.5 2021-01-07 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1609842280808-NCA2LA54FWGT1B95IPGR/Olga+Desmond+performing+the+%E2%80%98Sword+Dance%E2%80%99+%281908%29.+Photo+by+Otto+Skowranek. Blog - The Mythical Decadence of Weimar Cabaret Olga Desmond performing the ‘Sword Dance’ (1908). Photo by Otto Skowranek. https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1609842350459-MSW49HMKF6AB4HZ5F868/Valeska+Gert%2C+Dance+in+Orange%2C+Munich+%281918%29. Blog - The Mythical Decadence of Weimar Cabaret Valeska Gert, Dance in Orange, Munich (1918). https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1609842428606-Z3OTKNNKE5OPVZZ22W3M/The+Eldorado+club%2C+Motzstra%C3%9Fe%2C+Berlin+%281932%29. Blog - The Mythical Decadence of Weimar Cabaret The Eldorado club, Motzstraße, Berlin (1932). https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1609842641197-CZ6C3SC90V4UQVCUUQNJ/Claire+Waldoff+at+the+Linden+Cabaret%2C+Berlin.+Poster+by+Jo+Steiner+%281912%29. Blog - The Mythical Decadence of Weimar Cabaret Claire Waldoff at the Linden Cabaret, Berlin. Poster by Jo Steiner (1912). https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1609842551733-8K78Y7UOB462C2NBGG4X/Kabarett%2Bder%2BKomiker%2B%2528December%2B1935%2529.%2BPhoto%2Bby%2BWilly%2BPragher.%2BStaatsarchiv%2BFreiburg.jpg Blog - The Mythical Decadence of Weimar Cabaret Kabarett der Komiker (December 1935). Photo by Willy Pragher. Staatsarchiv Freiburg. https://www.stagingdecadence.com/blog/jaamil-olawale-kosoko-interview monthly 0.5 2020-12-21 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1608555761901-Q4B00773JRXQS4VY8ZOB/Jaamil+Olawale+Kosoko.+Photo+by+Nile+Harris+%282020%29 Blog - Jaamil Olawale Kosoko - Interview for Staging Decadence Jaamil Olawale Kosoko. Photo by Nile Harris (2020) https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1608555930390-ZY454Y172VM40KGBB753/Jaamil+Olawale+Kosoko%2C+S%C3%A9ancers+%282017%29%2C+American+Realness+Festival.+Photo+by+Ian+Douglas. Blog - Jaamil Olawale Kosoko - Interview for Staging Decadence Jaamil Olawale Kosoko, Séancers (2017), American Realness Festival. Photo by Ian Douglas. https://www.stagingdecadence.com/blog/feminist-occult monthly 0.5 2021-01-07 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1605370909092-P4KKHL2Z9U41FXMKJ0VG/Figure+1%3A+Inside+page+from+Florence+Farr%E2%80%99s+novel+The+Dancing+Faun+%281894%29.+The+illustration+by+Aubrey+Beardsley+is+a+caricature+of+painter+James+Abbott+McNeill+Whistler+as+a+domesticated+satyr%E2%80%94a+mild+mockery+of+the+commercialization+of+decadent+sensuality. Blog - The Feminist Occult in Florence Farr’s Dancing Faun Figure 1: Inside page from Florence Farr’s novel The Dancing Faun (1894). The illustration by Aubrey Beardsley is a caricature of painter James Abbott McNeill Whistler as a domesticated satyr—a mild mockery of the commercialization of decadent sensuality. https://www.stagingdecadence.com/blog/selina-thompson-interview monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1602857914931-IMMMEKQIWYE8S6IGQKI0/selina+thompson+ed+2.jpg Blog - Selina Thompson - Interview for Staging Decadence https://www.stagingdecadence.com/blog/staging-decadence-an-invitation monthly 0.5 2020-11-17 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1605368123531-XTUXZ976LT90LVVLJJYL/Image%253A%2BMar%25C3%25ADa%2BMar%25C3%25ADa%2BAcha-Kutscher%252C%2BMaud%2BAllan.%2Bwww.herstorymuseum..jpg Blog - Staging Decadence: An invitation Image: María María Acha-Kutscher, Maud Allan. www.herstorymuseum. https://www.stagingdecadence.com/blog/tag/decadence monthly 0.5 https://www.stagingdecadence.com/blog/tag/The+Roses+of+Heliogabalus monthly 0.5 https://www.stagingdecadence.com/blog/tag/Sir+Lawrence+Alma-Tadema monthly 0.5 https://www.stagingdecadence.com/blog/tag/adam+alston monthly 0.5 https://www.stagingdecadence.com/blog/tag/selina+thompson monthly 0.5 https://www.stagingdecadence.com/blog/tag/interview monthly 0.5 https://www.stagingdecadence.com/about daily 0.75 2024-11-28 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1603445875378-XAWE8GR182D8FNSMQC14/Nando+Messias%2C+Shoot+the+Sissy.+2016.+Photo+by+Holly+Revell..jpg About https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1653036387151-KYFZ94SJW5CWGT4VSYUK/Rose+Wood+as+reclining+Vitruvian+%5BWo%5Dman.+Photo+by+Michel+Delsol%2C+all+rights+reserved..jpg About https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1611770150618-QU376QVXPF8DZ6K8ENLO/Mar%C3%ADa+Mar%C3%ADa+Acha-Kutscher%2C+Herstorymuseum.+Maud+Allan.+www.herstorymuseum About https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1610098321418-92Q5PEGNOI57VH1I1BA1/Image+courtesy+of+The+La+MaMa+Archives+-+Ellen+Stewart+Private+Collection.jpg About https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/b71dbfb3-3d3f-4dc2-a877-a9b0f0dd3c73/staging+decadence+2-136.jpg About The Life Ball, a yearly AIDS charity event and costume ball, Vienna, 2008. Copyright Bruce Benderson 2021 https://www.stagingdecadence.com/events-calendar daily 0.75 2023-09-07 https://www.stagingdecadence.com/events-calendar/trashing-capitalism monthly 0.5 2021-03-23 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1611071448601-BLUM6IOARI9LGLW66J62/0H8A2655.jpg Events - Agitation, super-saturation and trash: Adam Alston and Owen Parry Toco Nikadio, Miss Revolutionary Idol Berserker: Extreme Voices, 2013. Courtesy of the artist. https://www.stagingdecadence.com/events-calendar/theatre-decadence-and-the-occult monthly 0.5 2021-02-01 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1612176455670-EP7PRZ4Y17EAD6NM41ZZ/Linn+da+Quebrada%2C+2020.+%C2%A9+Gabriel+Renne. Events - Theatre, decadence and the occult: Normandy Sherwood, Edmund B. Lingan and Giulia Casalini Linn da Quebrada, 2020. © Gabriel Renne. https://www.stagingdecadence.com/events-calendar/pleasure-excess-and-the-spectacular-body monthly 0.5 2021-02-04 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1611068554951-WFFLYDQBDD1YN0RD5LWE/Selina+Thompson%2C+Pat+It+and+Prick+It+and+Mark+It+With+B%2C.2013.+Photo+by+Pari+Naderi.jpg Events - Pleasure, excess and the spectacular body in performance: Selina Thompson, Nia O. Witherspoon, and Angel Rose Selina Thompson, Pat It and Prick It and Mark It With B,.2013. Photo by Pari Naderi https://www.stagingdecadence.com/events-calendar/sniffing-out-a-past monthly 0.5 2021-02-01 https://images.squarespace-cdn.com/content/v1/5f64b0c996eabd430f71ee96/1610808262452-XFUG4QX72UWN2Y5IA2EX/Nando+Messias%2C+Shoot+the+Sissy+%282016%29.+Photo+by+Holly+Revell.jpg Events - Sniffing out a past: Nando Messias and Stephen Farrier Nando Messias, Shoot the Sissy (2016). 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